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Analog Science Fiction and Fact - June 2015 {Bindaredundat} pdf

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 							Analog Science Fiction and Fact - June
2015 
  {Bindaredundat}
  
  
  This month, we hope you’ll join us in commemorating a
historic milestone: Analog’s 1,000th issue! Naturally, we’ll have an assortment of excellent pieces, from
Richard A. Lovett’s tale of possible distant battle by proxy, “The Wormhole War,” to Sean
McMullen’s story of the inadvertent dangers in First Contact, “The Audience,” with plenty more in
between, like William F. Wu and Ted Reynolds’ Studs-Terkle-esque oral history of “The Kroc War,” a
(too) close (for comfort) encounter in, “Ships in the Night,” from Jay Werkheiser, Gwendolyn Clare
Williams’ “Very Long Conversations,” Brenta Blevin’s “Strategies for Optimizing Your
Mobile Advertising,” “The Odds,” from Ron Collins, C.C. Finlay’s “The Empathy
Vaccine,” and Seth Dickenson’s “Three Bodies at Mitanni,” as well as a fact article from
Michael Carroll on the business of sightseeing in space, “Really Big Tourism. But we’ll also have a few
extra-special Special Features, from Stanley Schmidt, Ben Bova, and SF editor/anthologist/author/historian Mike Ashley,
as well as all our regular columns (and maybe even one irregular column).
  
  You don’t want to miss this one!
  
  Analog Science Fiction and Fact is an American science fiction magazine. As of 2013, it is the
longest running continuously published magazine of that genre, the June 2015 issue being number 1,000. Initially
published in 1930 in the United States as Astounding Stories as a pulp magazine, it has undergone several name changes,
primarily to Astounding Science-Fiction in 1938, and Analog Science Fact & Fiction in 1960. In November 1992, its
logo changed to use the term "Fiction and Fact" rather than "Fact & Fiction". It is in the library of the
International Space Station. Spanning three incarnations since 1930, this is perhaps the most influential magazine in
the history of the genre. It remains a fixture of the genre today.
  
  
   						

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